Services like AWS also charge egress fees with each download, which makes real-time editing with media in the cloud, less cost-effective. This approach works for single shots that don’t require real-time playback from the cloud, but it’s less attractive for editing. True virtualization – where even your applications are running in the cloud – has been used in the VFX industry with compositing software, such as Nuke. The editor works directly with cloud-based native media hosted on AWS, Microsoft Azure, or one of the other large cloud providers. Method 3 – cloud editing – True editing in the cloud is on the wishlist for many large media enterprises. With standard internet speeds, this works well with proxy edit media. Subsequently, media is played from that local cache. When a file is played, it is streamed and cached within the local computer’s Drive volume. That media shows up in the editor’s local Drive volume as a virtual file, much like Dropbox’s Smart Sync feature. Hedge also offers Drive, which gives each editor access to media uploaded to Hedge’s servers. Media is usually local and only project files are located in the cloud. Adobe Teams and Hedge’s Postlab are two solutions where the project files are stored in the cloud and are updated using check-out/check-in procedures. Method 2 – cloud syncing – Cloud services can be used to host project files, as well as to transfer media among edit sites. If you had a separated team working on the project, each gets a clone of the same media and they share projects, bins, and/or XML files via email, file transfer services, Dropbox, etc. When done, the editor returns the drive with media, project files, and deliverables. Copy all of the media onto a drive and ship it to the editor. Method 1 – sneakernet – This has been a tried and true remote collaborative solution prior to and during lockdowns.
There are approximately five different workflow scenarios. Among other things, it has accelerated various schemes for remote post-production collaboration.
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Covid-19 and the year 2020 have turned the professional production and post world on their heads.
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